What good is there in collecting something and not share it with others with the same interest as yours?

The objective of this blog is to share songs not commercially available anymore, for music is the language of the soul and it must not be forgotten.


Sunday, November 25, 2012

ASTOR SILVA

Bairros E Subúrbios Do Rio (1958)


Astor Silva (10/02/1922-12/02/1968)  was born in the neighborhood of Rio Comprido, Rio de Janeiro.
He started his career as a trombonist in dancing clubs.  Around 1940, he started working at Cassino da Urca and in others on the region of Copacabana and Icaraí.  In 1946, when the casinos were closed all over Brazil, he became part of the Orquestra Tabajara, directed by Severino Araújo, and toured through Brazil, Argentina, Uruguai, France and other countries.  Still as part of the Orquestra Tabajara he played at Rádio Tupy.  Later, he moved to the maestro Carioca's orchestra, who worked for Rádio Tupy.  He also played at the Night And Day nightclub and at the TV Rio.  He was music director for various recording companies.  At CBS he was also chief arranger.  In the beginning of 1950, started his own group and played for Todamérica, supporting Flora Matos, Garotos da Lua, Virgínia Lane, Zilá Fonseca, Ademilde Fonseca and Raul Moreno.  In 1952, his choro "Chorinho Da Noite" was recorded at Continental by Severino Araújo and his Orquestra Tabajara.  In 1953, he recorded for Todamérica the choro "Pisando Macio" and "Baião Diferente", by Marcos Valentin.  During the next year he also recorded with his group the choro "No Melhor Da Festa" and "Baião Lusitano", both his compositions.  By this time he started directing his own orchestra and released the mambo "Mambomengo" and the samba "Sete Estrelas", also his compositions.  Still in 1954 his choro "Alta Noite", composed with Del Loro, was recorded at Sinter by Jamelão.  He worked with his orchestra for Todamérica and played, among others, with Dóris Monteiro on the songs "Marcha Do Apartamento" and the samba "Sacrifício Não Se Pede".  By 1955 he played with his group and orchestra at Continental supporting Moreira da Silva, Nora Ney, Bill Farr and Emilinha Borba.
Between 1960 and 1963 he worked with his group and orchestra for Columbia.  In 1960 he was one of the persons responsible for the hit "Beija-Me", by Roberto Martins and Mário Rossi, recorded by Elza Soares with his arrangements.  In 1961, he supported the then unkown singer Roberto Carlos on his 78 rpm with the songs "Louco Por Você" and "Não É Por Mim".  He also supported the recordings of Risadinha, Wanderléa (also starting her career), Cyro Monteiro, Rossini Pinto, Elis Regina on her first recordings, "A Virgem De Macareña" and "1, 2, 3, Balançou".
In 1974 his "Chorinho De Gafieira" was re-recorded by Raul de Barros on the album "Brasil, Trombone" released by the label Marcus Pereira.

Bairros E Subúrbios Do Rio

01. Mangueira (Assis Valente/Zequinha Reis) • 3:04
02. O Catete Vai Passar (Ataulfo Alves) • 4:02
03. A Lapa (Herivelto Martins/Benedito Lacerda) • 3:02
04. Samba Do Méier (Dunga/Wilson Baptista) • 1:42
05. Sábado Em Copacabana (Dorival Caymmi/Carlos Guinle) • 3:19
06. Samba Da Gávea (Haroldo Lobo/João Baptista) • 2:25
07. Na Piedade (Ary Barroso)  3:16
08. São Cristóvão (Aristides Borges/S. Quelma) • 2:09
09. Samba De Botafogo (Eratóstenes Frazão/Antonio Nássara) • 2:55
10. Vou À Penha (Ary Barroso) • 2:07
11. Eu Vou Pra Vila (Noel Rosa) • 3:08
12. Flamengo (B. de Oliveira) • 3:32

Sunday, November 18, 2012

ALTAMIRO CARRILHO

Enquanto Houver Amor (1959)


Enquanto Houver Amor

01. Um Brasileiro Em Hollywood (João Leal Brito/Nelson Trigueiro) • 3:09
02. Sonho Negro (Abel Ferreira) • 2:38
03. Meu Sonho É Você (Altamiro Carrilho/Átila Nunes) • 2:45
04. Carinhoso (Pixinguinha/João de Barro) • 2:27
05. Conselho Inútil (Miguel Gustavo) • 2:42
06. Tea For Two (Irving Cæsar/Vincent Youmans) • 2:21
07. Foi Ilusão (João Leal Brito) • 2:22
08. Sempre Teu (João Leal Brito) • 2:38
09. Baião Atrevido (Lindolpho Gaya) • 2:40
10. Morreu Meu Coração (Lindolpho Gaya) • 3:07

Sunday, November 11, 2012

14 MAIORAIS Nº 14

14 Maiorais Nº 14 (1970)

 
14 Maiorais Nº 14
 
01. Everybody's Talkin' - Malcolm Dodds
    (Fred Neil) • 2:39
02. Gente Humilde - Ângela Maria
    (Garoto/Vinícius de Moraes/Chico Buarque De Hollanda) • 2:45
03. Não Me Deixe Nunca Mais - Wanderley Cardoso
    (Rossini Pinto/Solange Corrêa) • 3:06
04. Vai Ser Assim - Martinha
    (Martinha) • 3:28
05. Eu Também Sou Sentimental - Nelson Ned
    (Nelson Ned) • 3:38
06. O Que Passou, Passou - Djalma Lúcio
    (Nelson Ned) • 2:58
07. Raindrops Keep Fallin' On My Head - Moacyr Silva
    (Burt Bacharach/Hal David) • 2:37
08. Foi Um Rio Que Passou Em Minha Vida - Elizeth Cardoso
    (Paulinho da Viola) • 2:36
09. Eu Amo Tanto, Tanto (Ti Voglio Tanto Bene) - Moacyr Franco
    (Ernesto DeCurtis/Domenico Furnò/Vers.: Fred Jorge) • 3:13
10. A Chuva Terminou (La Lluvia Terminó) - Jordans
    (Eduardo Franco/Chucho Valdez/Vers.: Sebastião Ferreira da Silva) • 2:35
11. Menina De Trança - Cláudio Fontana
    (Antonio Marcos) • 3:45
12. Nem Às Paredes Confesso - Tristão da Silva
    (Ferrer Trindade/Arthur Ribeiro) • 2:56
13. Todos Os Caminhos (Comme D'Habitude) - Agnaldo Rayol
    (J. Reveaux/Thibault/C. François/Vers.: Kalil Filho) • 4:34
14. Quando O Amor Se Transforma Em Poesia (Quando L'Amore Diventa Poesia) - Wanderley Cardoso
    (Piero Soffici/Antonio Mogol/Vers.: Miguel Plopschi) • 2:38